Davids footprint:

INSPO:

Some of my inspirations were definitely his latest work. with his latest album having a similar format as old Japanese vynls and as an editorial photo on the cover. Reference:

Here is 1 song I love from his amazing catalog:

Assignment #2: Doly cam

The interaction with the real world:

https://youtube.com/shorts/71BIAMLOQgg?feature=share

Blog Assignment #3: Schedules:

Saturday, October 21:

• 6:30 am Wake up and get ready for work
• 7:20 commute to work
• 8:00 am – 6:00 pm: Work at the photography studio
• 6:00 pm-1:00 am Link up with friends and mob around Seattle
• 2:00 am get home and sleep

Sunday, October 22:

• 9:00 am wake up
• 10:00 am Get up from bet and get ready for church
• 11;45 go to church with family
• 12;45 get lunch with family
• 2:00 pm go home
• 2:30 pm-8 pm hang out with friends
• 8:30 pm get home
• 9:00pm Get ready for the week
• 10:00 pm get to bed and sleep

Monday, October 23:

• Wake up at 6:00 am
• 7:20 am commute to school.
• 9:00 am – 2:00 pm: School: visual media
• 2:00-3:30 pm Do homework: work on Resume and cover letter
• 4:00 pm – 8:00 pm: Work for the city
• 9:00 pm Get home
• 9:30 eat dinner
• 10:oo Finish any work
• 10;30 get ready for bed
• go to bed by 11:00 pm

Tuesday, October 24:

• Wake up at 6:00 am
• 7:20 am commute to school.
• 9:00 am – 2:00 pm: School: Professionalism Practices
• 2:00-3:30 pm Do homework: study for quiz for digital imaging
• 4:00 pm – 8:00 pm: Work for the city at Queen Anne Community Center
• 9:00 pm Get home
• 9:30 eat dinner
• 10:oo work on personal projects
• 10;30 get ready for bed
• go to bed by 11:00 pm

Wednesday, October 25:

• Wake up at 6:00 am
• 7:20 am commute to school.
• 9:00 am – 2:00 pm: School: Digital imaging
• 2:00-3:30 pm Do homework: Do the different lighting techniques assignment
• 4:00 pm – 8:00 pm: Work for the city at Queen Anne Community Center
• 9:00 pm Get home
• 9:30 eat dinner
• 10:oo work on personal projects
• 10:30 Get ready for bed
• go to bed by 11:00 pm

Thursday, October 26:

• Wake up at 6:00 am
• 7:20 am commute to school.
• 9:00 am – 2:00 pm: School: Lighting Class
• 2:00-3:30 pm Do homework: worked on recording for Horror movie Project
• 2:30 Go to the studio to work on sticker designs
• 4 pm Get home
• 4;30Work on Homework for Friday’s class
• 5:30 eat dinner
• 6:00 pm Work on personal work
• 9 pm Get ready for bed
• 9:30 pm relax
• Go to bed by 10:30

Blog Assignment #4

Why this job? :

I chose this job because I always had a goal to curate and shoot for big fashion companies. I also love the street culture of the UK, when it comes to soccer, the music scene, and art.

The cost of rent Is $1,283 for an apartment in London, which is significantly cheaper than the average rent in a Major city in the US.

The quality of life: According to the OECD “The United Kingdom outperforms the average in income, jobs, education, social connections, safety and life satisfaction. It underperforms average in environmental quality and civic engagement.”

Benefits: Free healthcare

Downside: crime, higher tax rate

Blog Assignment #5

Blog Assignment #6:

In the vibrant tapestry of my identity as a first-generation Latino American, I find my voice and vision through the lens of a 35mm film camera. Each click of the shutter captures not just images, but a kaleidoscope of cultural influences that shape my unique perspective. Street photography, with its raw authenticity, becomes the canvas upon which I paint the narratives of my heritage.

Soccer, a universal language in the Latino community, infuses my work with the pulse of passion and camaraderie. Whether it’s the impromptu games in urban alleyways or the intensity of a neighborhood match, I seek to freeze moments that echo the heartbeat of my roots. The fluidity of the game mirrors the flow of life, and through my lens, I aim to convey the poetry inherent in the beautiful game.

Street art, a dynamic form of expression, becomes a co-star in my visual storytelling. Graffiti murals, vibrant and bold, serve as backdrops that breathe life into my compositions. Each stroke of color and line of rebellion tells a story of resistance, resilience, and cultural pride. In the juxtaposition of these urban canvases, I find the essence of my community’s spirit, unapologetically loud and unfiltered.

Fashion becomes another layer of my narrative, weaving the threads of tradition and modernity. From the vibrant hues of traditional garments to the eclectic styles of the streets, clothing becomes a visual language that communicates the fusion of my cultural heritage with the contemporary world. In each frame, I strive to capture the intersection of identity and expression, where the past dances with the present.

Through the amalgamation of soccer, street art, and fashion in my photography, I present a visual symphony that celebrates the richness of my Latino American experience. Each frame is a testimony to the resilience, diversity, and beauty that define my community, and I wield my 35mm camera as a tool to amplify these narratives, one click at a time.

Blog Assignment #7

The Nishika N8000 is a unique 3D film camera that captures four simultaneous images on a single 35mm frame. While it may not be a conventional choice for a visual media program, it can offer a distinctive and creative perspective that can be valuable in certain contexts. Here are several reasons why a Nishika N8000 could be perfect for a visual media program:

1. Creative Expression:

• The Nishika N8000 produces stereographic images that can be animated or viewed with 3D glasses, offering a creative and immersive way to tell stories. This adds a unique aesthetic to visual media projects, setting them apart from more traditional approaches.

1. Experimental Photography:

• Visual media programs often encourage experimentation and pushing creative boundaries. The Nishika N8000 allows users to explore unconventional photographic techniques and experiment with depth, motion, and perspective, fostering a more avant-garde approach to visual storytelling.

1. Enhanced Engagement:

• The 3D effect created by the N8000 can enhance viewer engagement, making the content more memorable and immersive. This can be particularly useful for projects where audience engagement is a key goal, such as advertising, marketing, or interactive installations.

1. Learning Opportunities:

• Integrating a Nishika N8000 into a visual media program provides students with the opportunity to learn about stereographic imaging, film photography, and post-production techniques specific to this format. This hands-on experience can deepen their understanding of visual storytelling and production.

1. Nostalgic Appeal:

• The N8000’s use of 35mm film evokes a sense of nostalgia, connecting modern visual media projects with the rich history of photography. This blend of vintage technology with contemporary storytelling can be a powerful aesthetic choice.

1. Stand Out from the Crowd:

• In a crowded visual media landscape, having a distinctive and unique visual style can help projects stand out. The Nishika N8000’s unconventional approach to image capture can provide a fresh and eye-catching look, making projects more memorable.

1. Cross-Media Integration:

• The stereographic images captured by the N8000 can be integrated into various media, including print, digital, and even virtual reality. This versatility allows for cross-media storytelling, expanding the reach and impact of visual media projects.

While the Nishika N8000 may not be a conventional choice for all visual media programs, its unique capabilities can add a layer of creativity and engagement that aligns well with certain storytelling objectives. It encourages students and creators to think outside the box and explore new dimensions of visual expression.

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