AR Poster Project

How did I come up with this BRILLIANT idea, you ask? I am strangely fascinated by my son’s favorite stuffed rabbit, Archibald, and the lifelike and at times, humanistic qualities he seems to possess. I took a series of still images of the rabbit moving across my keyboard with dim lighting, exaggerating the somewhat haunting and spooky nature of this small, stuffed creature. I used Photoshop for the gif clip and Illustrator for my poster. “Boop boop boop” came from me trying to use some original audio with my gif and the clapboard sound with a strange echo at the beginning of the audio clip was the only piece of audio that would pair up with my visual elements. Both processes of creating the clip in Photoshop and adding the audio were somewhat challenging, but I feel ok about where I landed. Finally, I pieced it all together in Eyejack. Project results below:

Here is the gif:

AR Aero Project

For this project, I chose to design a birthday card for my twin brothers’ upcoming birthday this January, using an animated gif of a movie clip from “O Brother, Where Art Thou?”- a family favorite that has spawned endless dorky inside jokes over the years.

Here is the gif:

I used Adobe Aero to bring this inspired vision to life. I found the software and process to be counterintuitive at times, but it was a good exercise for me, continuing to step out of my comfort zone with AR creations.

Below is the result of my bday card experimentation in Aero. I was unable to get my animated gif to perform the way I had hoped, but otherwise, elements seemed to work ok:

New Media Assignment 7

A Comprehensive Report on the Wacom Cintiq 24 Pro

Wacom Cintiq Pro 24 Review | Trusted Reviews

What is so darn special about this tablet? Well, as a beginning designer and illustrator deeply invested in the world of digital art, I believe the Wacom Cintiq 24 Pro stands apart as a potentially game-changing tool that can help redefine boundaries of creative expression for many designers and illustrators out there. Read on for details about the Cintiq 24 Pro’s usage, capabilities, and what sets it apart from other similar products. Lastly, learn why I think this tool could enhance not only my learning and development as an illustrator/designer, but could also benefit many students if added to the SCCA arsenal of gadgetry.

USAGE AND CAPABILITIES

Expansive 24-Inch Display:

The Cintiq 24 Pro comes with a generously sized 24-inch display, offering a sizable canvas for intricate detailing and larger projects. The 4K resolution ensures total clarity, making it a great tool for artists seeking precision and realism in their work.

Pro Pen 2:

This standout feature, with 8,192 levels of pressure sensitivity and tilt recognition, provides a natural and fluid drawing/painting experience, similar in motion and appearance to traditional media. Artists can capture subtleties of their vision and style with total precision.

Ergonomic Design:

The Cintiq 24 Pro’s ergonomic design is a crucial consideration for artists who spend extended hours on their work. The adjustable stand allows artists to customize the working angle, providing comfort and reducing physical strain over time. This ergonomic design demonstrates a deep understanding of user experience, of the artist’s needs and perspective.

Etched Glass:

This model uses etched glass, which has tiny cuts on the surface, providing resistance and stopping the stylus from sliding too much – giving the artist greater control. The etched surface of the glass also gives the tablet a matte texture, reducing glare and reflections and allowing the artist to comfortably work in a bright environment.

Expresskey Remote:

Expresskey enables shortcuts like Pan, Zoom, Scroll as well as ability to change the size of the brush and eraser. The Expresskey remote also supports other Shortcut features like Radial Menu and Precision Mode.

What Sets the Cintiq 24 Pro apart?

The precision ( .1mm stylus accuracy) we see with the Pro Pen 2 tech and the color accuracy and high, 4k resolution of the tablet help artists bring their ideas to life much more effectively than most other tools on the market, while the ergonomic design goes even further in setting it apart from its competitors. In today’s landscape, where AI image generators often produce impressive visuals, artificially-made visuals still tend to lack the underlying artistic message, style, and/or emotional depth that artists uniquely bring to their work (using tools such as the Cintiq 24 Pro!). Furthermore, the Pro Pen 2 capabilities, especially pressure sensitivity, allow artists to infuse their work with nuance and individual style. As it stands, AI is incapable of convincingly conveying those elements of artistic vision.

The Cintiq 24 Pro seems to align well with the demands of the industry. Its capabilities are well-suited to address the challenges faced by today’s digital artists.

Why should SCCA consider acquiring this tool?

I can think of a number of reasons, including but not limited to:

  1. attracting top talent with shiny new toys (/demonstrating commitment to providing cutting edge tools for students to use in preparation of joining a highly competitive industry)
  2. fostering collaboration between students through multitouch features, giving them a better sense of the reality of working closely on creative teams
  3. reducing risk of physical strain for students who work long hours on projects
  4. giving students a way to efficiently and beautifully bring their ideas to life, helping them to build strong portfolios, which then reflect favorably on the program

In conclusion, the Wacom Cintiq 24 Pro is not just a piece of hardware. It paves the way for a new era of digital creativity. As an aspiring illustrator and graphic designer, I’m convinced that having it in my toolkit would result in more refined and interesting work. For the SCCA program, investing in the Cintiq 24 Pro would not only benefit individual students, but also elevate the entire program through embracing the latest advancements in digital art tech. It’s an investment in the future of art and design and its practitioners, setting the stage for creativity and excellence within this program and beyond.

New Media Assignment 6

BEING A DISRUPTOR- such an interesting and important consideration. When I think about the term “disruptor,” what immediately comes to mind is the image of the passionately outspoken agent of radical (and often uncomfortable for others) change, particularly in social, environmental, or political landscapes. When it comes to design, I think of being a disruptor in terms of breaking away from stylistic stagnation, forging new paths, breaking ground in terms of accessibility, innovation, empathy, sustainability, and creativity. Also drawing upon (often difficult, harrowing, or mind-expanding) lived experiences in order to infuse what one does with a unique style and set of ideas that inspire innovative and/or radical change, or at least, cause others to ponder things in ways they previously had not.

My career and life to this point have equipped me with a unique blend of experiences that I hope to channel into whatever I wind up doing in the creative sphere. My unorthodox path has set me on a somewhat unusual trajectory, having gone from the culinary world, to the NYC music-in-advertising hustle, to life on the anarchist goat farm, to teaching college classes, to an abusive relationship as I care for a young child, to life as a hopelessly misfit mom, to graphic design school! From multi-faceted professional roles to profound personal experiences, my journey has been anything but ordinary.

As a composer and performer in NYC, despite creative contributions that largely matched or exceeded those of my workplace peers, I frequently faced skepticism, patronizing attitudes, lower pay, and inferior treatment compared to male colleagues. I often felt undervalued, in terms of remuneration, accurately credited work, workplace attitudes, etc. This woke me up to the persistence of gender bias in creative fields.

Feeling burned out and seeking a completely different perspective on life, I took a break(-ish, aside from occasional freelance gigs and my own EP project) from music and moved back to the west coast, living and working on a couple communal permaculture farms, in CA and OR. Sharing meals, resources, and ideas with (sometimes very eccentric) strangers and landmates expanded my worldview immensely. In both instances, we grew much of our own food (about 75-80% during harvest seasons) and worked together tirelessly to maintain closed-circuit, small-scale agriculture systems, produce very little waste, and live more or less completely off-grid. Creativity flowed freely through everyday life in community, but I quickly learned that despite my disillusionment with mainstream politics that led me to farm livin’, politics persist in life, anytime people share living spaces and/or responsibilities, no matter how much you may try to distance yourself from such things. Utopian ideals are exactly that- ideals. Not realistic, as long as human fallibility persists. Don’t believe anyone who tells you otherwise. And furthermore, both farming and having babies result in dealing with epic amounts of sh*t, in the most literal, physical sense, in case anyone is curious. Glossy grammable photos of cute goats, veggies, and babies are highly misleading. But anyway, back to the path of disruption…

When it came time to move on from (not-as-idyllic-as-hoped) farm life, my love of music and teaching led me to become a college instructor at PSU. Teaching music lit a passion for education that still motivates me as a teacher and parent, as well as a skepticism of questionable pedagogical methods. I respect teachers and personally aspire to teach in ways that inspire questions, curiosity, growth, and challenging norms, rather than dictating and imparting set ways of doing things.

Outside of work, becoming a mother has been my most profound and life-altering experience. Raising my son as a single parent after surviving significant domestic and emotional abuse showed me depths of pain, courage, strength, and purpose I never imagined. My child is absolutely the driving force behind my determination to forge new paths in my creative career and ways of expressing myself, as well as setting an example for him that models resilience and growth along with adaptation, determination, and OF COURSE- continued disruption.

I’m fully ready to bring a disruptive, human-centered ethos to my career path in design. User empathy will be central to my approach, with a focus on amplifying diverse and historically devalued voices and perspectives. I hope to balance supporting myself and my son with making a socially and creatively impactful difference to whatever work environments my education and future career may hold.

I hope to open doors for women and marginalized groups who are underrepresented in leadership roles. So many of us continue to face barriers or bias as we navigate career and family, and it’s up to us to keep striving for leveling the playing field. Furthermore, those with genuine talent, potential, vision, and drive should be given opportunities to succeed in creative careers, no matter their background. I plan to advocate strongly for empathetic workplace policies benefiting parents, caregivers, women, minorities, and diverse voices of all kinds. The field of design absolutely requires that we continue to pioneer models of diversity and inclusion, disruption and fair representation of people from ALL walks of life.

Ultimately, I hope to uplift others through my work. My experiences equip me to both reach and advocate for people from a huge range of life experiences and backgrounds. As a low-key yet hardcore antiauthoritarian, I’m excited to continually disrupt norms in order to re-center integrity, inclusivity, equity, empathy, health, originality, and true innovation in the design industry. Our collective future depends on it.

AR Project 4

For our group project, we chose markets, and I personally chose the Ballard Farmers Market, which has been a favorite weekend destination over the years.

In terms of solving a user problem, I chose the angle of providing more context for the market experience, as most other info (such as hours, location, specific offerings, market navigation, etc) is either fairly typical and straightforward, or irrelevant once shoppers arrive at the market.

More specifically, the entire Ballard neighborhood, including the farmers market, is heavily influenced by maritime and Nordic heritage and culture, which I felt should be added to the AR experience in order to give context to the market experience, alongside some other popular neighborhood destinations that might be interesting to shoppers, tourists, etc, after visiting the market. I kept my focus on family-friendly destination options, keeping in mind that much of the target demographic includes children and families.

I created largely transparent panels, thinking about many of the mostly-blank, light-colored building facades in the area, where the QR code could be easily displayed, perhaps next to a colorful mural, in order for visitors to pull up this panel information before walking through the market itself.

Lu was kind enough to create templates in Illustrator that could be adapted for each project, for the sake of consistency across our group. I used her templates as a jumping off point for my project, incorporating the market logo and various vendor logos, as well as an animated fresh produce gif as my backdrop. Below is an image of my panels, as well as a progress photo, putting everything together in Eyejack.

Lastly, here is a quick video demonstrating the AR experience I created. Unfortunately, I was not able to test it on location, as the market is only open on Sundays.